Patrick J. Jones’s visual Art

Patrick J. Jones’s visual Art.

Patrick J. Jones is a teacher, artist and author of several books on art. He is known for his online and live workshop figure drawing and oil painting methodology and fantasy art paintings. His style is often compared to Boris Vallejo and Frank Frazetta and his art has appeared on billboards in L.A, London, NYC, and Australia.

Jones grew up in Belfast, Northern Ireland. during the ‘troubles’ in the republican stronghold of ‘The Ardoyne’.He was first published as a teenager in the Irish fantasy magazine ‘Ximoc’ before leaving home to join the merchant navy and spending three years at sea.

In 1984 he left Ireland for London with £100 in his pocket. After a tough start, and a stint of homelessness, he eventually got his first break painting book cover art for Orbit books and found representation with London’s ‘’Sarah Brown Agency’’. Throughout the eighties Jones illustrated book cover art for authors such as Greg Bear, Jerry Pournelle and Larry Niven before moving to advertising. In the nineties Jones was represented by The London Art Collection and produced award-winning illustrations for a number of advertising agencies and corporations such as Saatchi & Saatchi, McCann Erickson, the BBC and Hasbro. His work from this period included the illustrations for the Millennium Edition of Trivial Pursuit and billboards for The International Motor Show.

In 1997 Jones married Catherine Conlon, a teacher, and moved to Australia where he worked in advertising and movie production design at Warner Bros. until 2005 before finally returning to fantasy art.

In 2008 he exhibited at the first Illuxcon (IX) show in Pennsylvania U.S.A. He continues to travel to and exhibit as a main show artist. His Sci-fi & Fantasy book jacket art has appeared on many international bestsellers, most notably the Deathstalker saga published by Random House NYC.

Virgil Finlay for Weird Tales ‘s visual Art

Virgil Finlay for Weird Tales ‘s visual Art.

Virgil Finlay (July 23, 1914 – January 18, 1971) was an American pulp fantasy, science fiction and horror illustrator. He has been called “part of the pulp magazine history … one of the foremost contributors of original and imaginative art work for the most memorable science fiction and fantasy publications of our time.” While he worked in a range of media, from gouache to oils, Finlay specialized in, and became famous for, detailed pen-and-ink drawings accomplished with abundant stippling, cross-hatching, and scratchboard techniques. Despite the very labor-intensive and time-consuming nature of his specialty, Finlay created more than 2600 works of graphic art in his 35-year career.

Wally Wood’s Covers Art

Wally Wood’s Visionary Art.

Wallace Allan Wood (June 17, 1927 – November 2, 1981) was an American comic book writer, artist and independent publisher, widely known for his work on EC Comics’s titles such as Weird Science, Weird Fantasy, and MAD Magazine from its inception in 1952 until 1964, as well as for T.H.U.N.D.E.R. Agents, and work for Warren Publishing’s Creepy. He drew a few early issues of Marvel’s Daredevil and established the title character’s distinctive red costume. Wood created and owned the long-running characters Sally Forth and Cannon.

He wrote, drew, and self-published two of the three graphic novels of his magnum opus, The Wizard King trilogy, about Odkin son of Odkin before his untimely death by suicide.

Much of his early professional artwork is signed Wallace Wood; some people call him Wally Wood, a name he claimed to dislike. Within the comics community, he was also known as Woody, a name he sometimes used as a signature.

In addition to Wood’s hundreds of comic book pages, he illustrated for books and magazines while also working in a variety of other areas – advertising; packaging and product illustrations; gag cartoons; record album covers; posters; syndicated comic strips; and trading cards, including work on Topps’s landmark Mars Attacks set.

EC publisher William Gaines once stated, “Wally may have been our most troubled artist … I’m not suggesting any connection, but he may have been our most brilliant”.

He was the inaugural inductee into the comic book industry’s Jack Kirby Hall of Fame in 1989, and was inducted into the Will Eisner Comic Book Hall of Fame in 1992.

Arthur Haas’s Visionary Art

Arthur Haas’s Visionary Art.

Arthur Haas (1969) is an artist from Amsterdam, the Netherlands. He specializes in landscape painting, environment design and concept art for the entertainment industry. Arthur works as a freelance artist for major Hollywood film studios and international book publishers and sell original artworks online and in galleries.

In 1994, after studying photography for two years, Arthur discovered painting and has been teaching himself the craft ever since. He’s had several successful exhibitions in Amsterdam. Since 2000 Arthur combines digital and traditional painting. Since 2010 he works as a freelancer.

Specialties: science fiction environments and design

Olivier Ledroit’s Visionary Art

Olivier Ledroit’s Visionary Art.

Olivier Ledroit is a French comic book artist, perhaps best known for his work on the Black Moon Chronicles series. He has also worked on art designs in the Might and Magic franchise.

He has also provided the art for Requiem Chevalier Vampire and Sha, both written by Pat Mills.

Peter Andrew Jones’s Visionary Art

Peter Andrew Jones’s Visionary Art.

Peter Andrew Jones (born 14 December 1951) is a British artist and illustrator who has produced a large number of fantasy and science fiction genre illustrations. During a professional career of over 43 years he has worked on book jacket covers, film posters, advertising, and games, as well as contributing to many BBC TV and commercial TV programs and projects.

Edd Cartier’s Covers Art

Edd Cartier’s Covers Art.

Edward Daniel Cartier (August 1, 1914 – December 25, 2008), known professionally as Edd Cartier, was an American pulp magazine illustrator who specialized in science fiction and fantasy art.

Born in North Bergen, New Jersey, Cartier studied at Pratt Institute. Following his 1936 graduation from Pratt, his artwork was published in Street and Smith publications, including The Shadow, to which he contributed many interior illustrations, and the John W. Campbell, Jr.-edited magazines Astounding Science Fiction, Doc Savage Magazine and Unknown.His work later appeared in other magazines, including Planet Stories, Fantastic Adventures and other pulps.